With prices either stratospheric (in good vintages) or simply unreasonable (in poorer vintages) for most of the Grand Cru Classés or their equivalents, and given the trend towards a richer, more alcoholic, international style, it’s a fair question where to turn if your preferences lie towards the old tradition of Bordeaux, meaning wines that have elegance and freshness.
I have felt for some time that the best of the Cru Bourgeois may be a more interesting alternative than the second wines of the great chateaux, as prices have remained reasonable and styles have not been so influenced by fashion. But I may need to rethink this after the New York tasting of Cru Bourgeois from 2012. Granted this was only a relatively small selection of the (almost) 300 Cru Bourgeois, and the most notable were not present (not to mention the fact that the best known chateaux in this category, which had been at the highest level in the old hierarchy, withdrew from the classification when it became a single tier when the new system was introduced).
Each chateau at this tasting brought the 2012 and one previous vintage from one of the last three years. I was generally a little disappointed in the 2012s. They were all well made wines, but seemed to fall into one of two categories. About half seemed to have made efforts to make the wines more approachable, with an initial softness on the palate. The problem here, to my mind, is that this leaves the wines between two stools: neither showing the lush fruits that are in fashion in New World, nor showing the traditional more savory spectrum of Bordeaux. I don’t think immediate gratification is in the DNA of Bordeaux. The wines are quite nicely rounded, but I was left wondering whether they are competitive in today’s market against varietal competitors from the New World. The other half showed more of Bordeaux’s usual asperity when young; but supposing these wines will peak in, say, three years’ time, the question becomes whether consumers will want to buy them now to hold for the future.
I find it difficult to raise much enthusiasm for the 2011 vintage. Most of the wines are tight, with a certain lack of underlying generosity which makes it seem doubtful whether they will open out. There’s a tendency towards green notes. My impression now is less favorable than it was at the introductory tasting of the 2011 vintage a year ago, when the youthful fruits were more in evidence; in the past year, the fruits seem to have lightened, but the tannins have not. I think you just need better terroir than most of the Cru Bourgeois possess in order to have been able to get to a satisfactory degree of ripeness in 2011. (By contrast, I thought the 2011 Grand Cru Classés often managed to show elegance and could be nice restaurant wines–if they were half the price!)
The 2010 and 2009 vintages showed their character through the prism of Cru Bourgeois, with 2010 tending to precision (which sometimes takes the form of tightness in the Cru Bourgeois at this point) and 2009 often nicely rounded (but somehow mostly lacking follow-through on the palate).
Here are some wines that illustrate the character of the 2012 vintage and appellation at this level. The most elegant wine from the Haut Médoc was Clément Pichon, somewhat in the style of the femininity of Margaux just to its north. In Margaux, Haut Breton Larigaudière is still a bit tight, waiting for the elegant fruits to emerge. Illustrating the disappearance of Cru Bourgeois from top appellations, there weren’t any examples of St. Julien or Pauillac. La Haye shows the typical tightness of young St. Estèphe. To the west, Château Lalaudey is a good representation of Moulis, with a lighter take on the style of the great communes. Château Rollan de By is a good illustration of what can be achieved in the Médoc. There are some nice wines in the 2012 Cru Bourgeois–but you do have to look for them.